
Every antique or vintage piece we sell is genuinely individual — a different maker, a different year, a different history. This guide covers what actually matters when you’re evaluating a piece: the hallmark, the period, the maker, and the condition.
The hallmark city and year are the first, most reliable facts about any piece — everything else builds on them. A maker’s mark adds another layer of interest where one is recorded, though a blank maker field is common on genuinely older pieces and isn’t a sign of a problem. Weight is a useful, honest indicator of substance, and condition is worth judging on its own terms — a plain, sparsely decorated piece is a legitimate stylistic choice, not a lesser one.
The period a piece comes from shapes both its style and, often, its silver standard. Here’s a rough guide to what each period generally means.
Pieces from 1697–1720 were legally required to be Britannia standard (95.8% pure) rather than sterling — worth checking the hallmark before assuming.
The century that saw English silversmithing reach its peak of technical refinement, across the reigns of George I to IV.
Style moved through rococo revival before settling into the heavier, more architectural forms of the mid-to-late century.
A shorter reign, and lighter, more restrained neoclassical forms reacting against high Victorian ornament.
The broadest period — worth looking at the decade specifically, since a 1920s Art Deco piece and a 1960s piece look very different despite the shared label.
“Antique” is generally used to mean a piece 100 years old or more, with “vintage” covering genuinely older 20th-century pieces that don’t yet meet that threshold — though usage varies across the trade. Both are fully hallmarked UK sterling silver, and both are meant to be used, not just displayed.
If you’d like help evaluating a specific piece, or finding one that fits a particular period, our showroom team in the London Silver Vaults are happy to help.