
Beyond our stocked ranges, we take on bespoke commissions — one-off pieces designed and made to a brief rather than chosen from existing stock. This guide covers what that process actually involves, and where its real limits are.
Bespoke work ranges from presentation pieces and corporate commissions through to restorations and genuine one-off design — anything that starts with a brief rather than a catalogue listing. The scale varies enormously: a single engraved presentation piece and a full commissioned artwork both go through the same basic process, just at very different depths.
We start with what you have in mind and what the piece is for — a conversation, not a form.
The right silversmith or engraver depends on the piece — chosen for the specific commission, not a fixed roster.
The piece is made, from raw silver through to finished object, with progress checked against the original brief.
Every finished piece is assayed and hallmarked in the UK, the same legal guarantee as anything else we sell.
Our largest bespoke commission to date was a reproduction sterling silver ciboria, presented to HM King Charles III at the Chapel Royal, St James’s Palace — involving master silversmith Tim Lukes, engravers Samantha Marsden and James Neville of Sam James Engraving, and gilder Steven Wood of Auric SG. It’s the clearest evidence of what our bespoke process can produce at its most ambitious — though most enquiries are considerably smaller in scope, and we’d rather be honest about that than imply every commission gets the same scale of attention.
If you have a commission in mind — large or small — our showroom team in the London Silver Vaults are happy to talk it through.